Japonés | Subs: Castellano/Français/English/Italiano/Português
101 min | x-264 mkv 954x720 | 2500 kb/s | 192 kb/s AC3 | 23.97 fps
1,92 GB
Los amantes crucificados
Ambientado
en el siglo XVIII, el film narra la historia del dueño de una imprenta
que debe terminar el nuevo calendario, tarea para la cual obliga a
trabajar a un empleado que está enfermo. Cuando el imprentero descubre a
éste en una habitación con su mujer, el empleado es acusado falsamente
de adulterio. Obligado a huir con la mujer de su jefe, en el escape
ambos descubren su amor, hasta que son apresados y condenados a la
crucifixión. Mizoguchi vuelve a adaptar una obra teatral para contar un
tema recurrente en su prolífica carrera:un falso engaño amoroso que,
finalmente, termina en amor y en una situación trágica.
The Tale of the Crucified Lovers
Director
Kenji Mizoguchi again employs the repertoire of bunraku in this tale of
lovers thwarted by the constricting feudal hierarchy of 17th-century
Japan. Kyôko Kagawa and Kazuo Hasegawa star as, respectively, the wife,
Osan, and clerk, Mohei, of Ishun (Eitarô Shindô), a wealthy and corrupt
scrollmaker. When Osan's brother asks her for help in paying a debt, she
turns to Mohei, who agrees to use his master's seal to dispense the
money she needs. Although he refuses to implicate Osan, Mohei is forced
to confess his actions to Ishun, who publicly humiliates the clerk and
locks him in a storeroom. Through a series of complications, Ishun
arrives at the mistaken belief that Osan and Mohei are lovers. Mohei is
instantly dismissed and forced into exile. But when Ishun offers a
seppuku knife to Osan, she refuses ritual suicide, knowing that she's
committed no crime, and escapes from her husband's house. The director
counterposes the high-angle shots, vertical architecture, and entrapping
shadows of Ishun's establishment--visual metaphors for the rigidity of
this feudal society--with the simple grandeur of nature--a visual
metaphor for love--in a compelling denunciation of destructive social
mores.
Les Amants crucifiés
Kyoto
au 18ème siècle. Osan, l’épouse du grand imprimeur du Palais Impérial,
demande à Mohei, l’employé préféré de son mari, de lui consentir un prêt
pour aider sa famille. Mohei, qui aime en secret Osan, veut utiliser le
sceau de l’imprimeur pour obtenir cet argent. Son projet frauduleux
découvert, Mohei se dénonce à son patron. Mais suite à un concours de
circonstances, Osan est surprise aux côtés de Mohei. Compromise mais
irréprochable, lassée des infidélités de son mari, Osan préfère quitter
son foyer. Mohei fuit avec elle, et va être amené, malgré leur
différence de classe, à lui déclarer son amour…
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°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
Kenji Mizoguchi en Arsenevich
Chikamatsu monogatari (1954)
Yokihi (1955) Akasen Chitai (1956)