28 octubre 2008

Kenji Mizoguchi - Oyû-sama [XviD y 720p] (1951)


Japonés/Japanese | Subs: Castellano/English
89 min | XviD 5 544x400 | 993 kb/s | 84 kb/s mp3 | 25 fps
700 MB + 3% recuperaciòn/recovery
La señorita Oyu
Shinnosuke acepta casarse con Shizu con tal de poder estar cerca de su hermanastra, Oyu, viuda y madre de un hijo. Las costumbres japonesas prohíben que Oyu se case porque tiene que subir a un hijo como cabeza de la familia de su marido fallecido. Entre los tres se creará un extraño vínculo.

Miss Oyu is the story of a tragic triangular love. A young man falls in love with the older woman who accompanies his bride-to-be to an informal introduction. On their wedding night the bride, who has noticed his infatuation and all it's implications, suggests that they maintain their union on a platonic level. This would allow his love to remain pure and stop her betraying her friend, the older woman, whom she suspects to be in love with her husband as well. In the best Mizoguchi manner this is achingly beautiful, subdued and heart felt. The criticism of society is more hinted at than in other films. The experience on a whole is just as emotionally satisfying.

English subs are my own.




Nuevos enlaces de chicharro-san
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http://www59.zippyshare.com/v/eQXfaKdX/file.html
http://www64.zippyshare.com/v/p9fUfnic/file.html
 http://www32.zippyshare.com/v/LTm6saIT/file.html
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Subtítulos

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Versión 720p


Japonès I Subs:Castellano/English/Français/Português (muxed)
93 min I x-264 mkv 960x720 I 3000 kb/s I 192 kb/s AC3 I 23.97 fps
2,08 GB





 BR rip transcode de aleutian
 

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-------------------------------------------------------------
Kenji Mizoguchi en Arsenevich
Musashino fujin (1951)
Oyû-sama (XviD y 720p] (1951)
Yokihi (1955)
Akasen Chitai (1956)

22 octubre 2008

Georges Franju - Judex (1963)


Francés/French | Subs: Castellano/English (muxed)
97 min | x-264 mkv 970x576 | 2500 kb/s | 256 kb/s AC3 mono | 23.97 fps
1,88 GB

Favraux, un inescrupuloso banquero, recibe una nota firmada por un tal "Judex", exigiendo que compense a las personas a las que ha estafado y amenazándolo de muerte en caso de negarse a ello. En las vísperas de una fiesta que dará en su finca en honor a su hija, Favraux contrata a Cocantin, un particular detective, para que proteja a sus invitados e investigue acerca del misterioso Judex.

En el año 1963 el cineasta Georges Franju, uno de los fundadores de la Cinemateca Francesa, realiza una remake del clásico serial de Louis Feuillade, "Judex" (1916). Siguiendo los lineamientos básicos del guión original, la historia del banquero Favraux, su hija Jacqueline, el detective Cocantin y el enmascarado vengador, Judex cobra nueva vida en este homenaje y a la vez relectura del cine del período mudo. Así, a cincuenta años del estreno del serial en las salas de cine de la empresa Gaumont, los disfraces, las corridas nocturnas y los escapes por los techos de París volvían a las pantallas del cine francés.

Subtítulos en castellano de intranauta (24fps)

Franju's evocation of a lost innocent era of French silent cinema is a real gem, and a much neglected film. The film creates an air of gentle menace from the opening scenes featuring a bird-masked magician at a masked ball. We soon learn that he is, in fact, Judex, the legendary crime-fighter. He soon becomes engaged in a battle with a cat-suited female criminal. The plot itself is one-dimensional comic-strip stuff, as the above suggests, but what constantly impresses is the poetic set-pieces Franju sets up, particularly a burglary at a country house swathed in mists.


The show is continually stolen by Francine Berge, as the criminal - she seems a not-too-distant relation of Diana Rigg in television's "The Avengers", at least in dress sense - and this highlights a slight problem. The hero, played by American magician Channing Pollock, is bland by comparison, as is Edith Scob's heroine-in-distress. It seems that the bad girls get all the fun! Overall, this is the type of film that doesn't get made any more, yet doesn't seem dated. Franju's more famous "Les Yeux Sans Visage" is, in terms of mood, very similar, as is Cocteau's breathtaking fairy tale, "La Belle Et La Bete". The sixties British horror, "The Haunting", also pulls the same trick of showing little by achieving everything through mood alone.

Favraux, un banquier sans scrupules et roublard, reçoit un jour une lettre d'un certain Judex, lui ordonnant de rendre aux pauvres gens qu'il escrote, leur du. Au cours d'un bal masqué, il est repéré par Judex qui le drogue...

 BR rip de la edición Criterion, cortesia de LittleAfterAll (KG)


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Georges Franju en Arsenevich
Judex (1963)

20 octubre 2008

Yasujiro Ozu - Hitori musuko / The Only Son (1936)


Japonés/Japanese I Subs: Castellano/English
83 min | XviD 544x400 | 1102 kb/s | 68 kb/s mp3 | 23.97 fps
700 MB + 3% recuperaciòn/recovery


Hijo único
En 1923, en la provincia de Shinshu, Tsune Nonomiya (O-Tsune), viuda que tiene un trabajo humilde en una fábrica de seda decide enviar a su único hijo a Tokio a estudiar. Trece años después, visita a su hijo - Ryosuke Nonomiya (Shinichi Himori), y descubre que es un maestro de escuela nocturna pobre y frustrado con esposa (Yoshiko Tsubouchi) y un bebé. Primera película sonora de Ozu.

The Only Son is Ozu's first "talkie" - and utilizes sounds in an efficient, restrained manner to help tell the story with calm grace. The beautiful simplicity that pervades the piece is classical Ozu, and amplifies the poignant tale of a mother coming back to visit her son, after sacrificing her livelihood to ensure he achieves higher education. When she realizes that he is unsatisfied with his life as a night-school teacher, a general melancholic tone begins to unfold through the progression of the narrative. The ending is nicely done, and overall, the film is crafted in that spare, simple perfection that is the stylistic hallmark of Ozu's cinema.




http://www31.zippyshare.com/v/kbHhOFBS/file.html
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16 octubre 2008

Kenji Mizoguchi - Zangiku monogatari (1939)


Japonés | Subs: Castellano/English/FR/PT/IT (muxed)
143 min | mkv-X264 960x720 | 2500 kb/s | AC3 192 kb/s | 23.97 fps
2,69 GB
Historia del último crisantemo
Tokio en 1885, Kikunosuke Onoue, el hijo adoptivo de un actor importante, descubre que sólo lo alaban por ser heredero de su padre, y que el resto del elenco se queja a sus espaldas de lo malo que es como actor. La única persona que le habla honestamente sobre sus dotes de actor es Otoku, la nodriza del bebé de su padre adoptivo. La familia la despide y le prohíben a Kikunosuke que la vea, por el miedo a que una relación con una sirvienta provocaría un escándalo. Kikunosuke se enamora de Otoku, y deja su casa para intentar ganarse la vida fuera de Tokio. Otoku lo sigue y lo alienta para que se convierta en un actor famoso y recupere el reconocimiento de su familia.

Cine esencial


The Story of the Last Chrysanthemums
In Tokyo in 1885, Kikunosuke Onoue, the adoptive son of an important actor, discovers that he is praised for his acting only because he is his father's heir, and that the troupe complains how bad he is behind his back. The only person to talk to him honestly about his acting is Otoku, the wet-nurse of his adoptive father's child. She is fired by the family, and Kikunosuke is forbidden to see her, because of the gossip a relationship with a servant would cause. Kikunosuke falls in love with Otoku, and leaves home to try to make a living on his own merits outside Tokyo. He is eventually joined by Otoku, who encourages him to become a famous actor to regain the recognition of his family.


Zangiku monogatari.part01.rar
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 Versión XviD
Japonés/Japanese I Subs: Castellano/English
143 min | XviD 512x360 | 900 kb/s | 79 kb/s mp3 | 25 fps
980 MB + 3% recuperaciòn/recovery







http://www40.zippyshare.com/v/GzTYqoAX/file.html
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05 octubre 2008

Yasujiro Ozu - Munekata kyoudai / The Munekata Sisters (1950)


Japonés | Subs: Castellano/English/Portuguès (muxed)
111 min | x-264 mkv 712x480 ~~720x542 | 1832 kb/s | 192 kb/s AC3 | 23.97 fps
1,61 GB
Las hermanas Munakata
Setsuko vive infeliz al lado de Mimura, un ingeniero alcoholizado y sin trabajo. Siempre estuvo enamorada de Hiroshi pero nunca llegaron a prometerse a causa de la marcha de éste a Francia años atrás. Ahora éste ha regresado a Japón y su hermana Mariko intentará reunirlos de nuevo. Sin embargo ella también está secretamente enamorada de él.
The Munekata Sisters
Two of Japan’s greatest actresses and several leading actors were assembled for this stunning “prestige production,” which Ozu was commissioned to direct. The Munekata sisters—Setsuko (played by Mizoguchi veteran Kinuyo Tanaka) and Mariko (Naruse star Hideko Takamine)—reveal the two poles of postwar Japanese society. Feisty and modern Mariko dresses in western attire and represents the liberated woman, while the placid and traditional Setsuko dresses in kimonos. To emphasize the tensions between modernity and tradition, between the old Japan and the new, Ozu employs a series of picturesque settings such as the Moss Temple in Kyoto, a mountain villa in Hakone, and the Yakushiji Temple near Nara. Though more linear and elaborately mounted than any other Ozu film, The Munekata Sisters is typically rigorous and exquisitely composed. In the end Ozu manages to wrest profound emotion from convention. Harvard Film Archive

DVD rip de rpessoa (TPB)
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